We spent yesterday afternoon at the 56th annual Newport Jazz Festival. I was very excited about this year's lineup, which was even more adventurous than last year. The first concert that we checked out was the Dave Douglas Brass Ecstasy quintet. I saw Douglas play with his Tiny Bell Trio about 12 years ago and I was really impressed, but with the exception of a couple of Masada records, I haven't paid too much attention to his work since then. I really liked their show, and especially liked the songs where Douglas really got to shine. My favorite numbers were a couple of original compositions dedicated to and in the style of two great jazz trumpeters (Enrico Rava and Lester Bowie).
Next up was the most anticipated show of the festival, Powerhouse Sound. I wasn't sure which version of the band was going to be appearing, but I was excited to see Jeff Parker walk out on stage, as I've been an admirer of his work for years but have never had the chance to hear him perform. Ken Vandermark lead the band along with longtime collaborator Nate McBride on electric bass and John Herndon on drums. While this was my favorite show of the festival, I didn't enjoy it as much as I had hoped. The first problem was the sound. It was really hard to hear Vandermark (who played tenor exclusively for this show) over his electrified colleagues. As Vandermark tweeted earlier today, the entire set was very intense. I thought it got to be a bit much at times. They did mellow out a bit in the final third of their set and delivered a stunning rendition of the trippy dub-inspired "Coxsonne".
The crowd was sparser than last year's Vandermark 5 performance (I'm sure overlapping with the Wynton Marsalis show on the main stage this year didn't help). I was a bit disappointed that Ken didn't take any breaks between the songs to announce their titles or the band members. It also pains me a bit to admit that I wasn't a big fan of Herndon's work on the drums. Until I sat down to write this post, I didn't realize that he's the drummer for Tortoise, one of my favorite bands. His drumming took the music into a more rock-oriented direction, which I felt was unnecessary with Parker and McBride already pulling the band that way. Powerhouse's other lineup features Paal Nilssen-Love on the drums and I think I would have enjoyed his sound better.
The final show, pianist Jason Moran was most pleasant surprise. His band played a good mix of originals and reinterpretations, including a stellar rendition of Monk's "Crepuscule With Nellie" to close their set. It was good, solid jazz and Moran's work on the piano was always compelling and even a bit unconventional while still staying inside of a fairly conventional straight ahead jazz framework.
Showing posts with label newport. Show all posts
Showing posts with label newport. Show all posts
Monday, August 09, 2010
Sunday, August 09, 2009
Newport News
More thoughts from the Newport Jazz Festival.
I was disappointed to see that RIPTA has discontinued their seasonal bus service from the Newport Visitors Center for Fort Adams. Even in these times of challenging state budgets, it's an embarrassment for city like Newport that relies so heavily on tourism to lack a public transport option from its downtown to one of its most popular attractions.
That being said, the water taxi that I wound up taking from Perrotti Park to Fort Adams was quite nice.
This was my first visit to Fort Adams, and I was really impressed with it. I'll definitely be going back some weekend when it's not playing host to a music festival to check it out.
There was no shortage of booths selling handicrafts at the festival, but I didn't see any selling recordings. Jazz fans are notorious record collectors so I was surprised to see that there wasn't even a tent selling recordings of the featured musicians.
My favorite show other than the V5 was the Christian McBride trio, which kind of surprised me. It wasn't anything earth-shattering, just really good and straight-ahead jazz. I was looking forward to Vijay Iyer's show, but with the exception of their last number, I couldn't really get into any of their tunes.
NPR music was at the festival and has made many of the concerts available for download (not the V5's set, unfortunately)
The ProJo mentioned the V5's set in their review today:
Ken's take on the V5's set, via twitter.
Here's a link to some pictures that I took of the V5 before their set.
I was disappointed to see that RIPTA has discontinued their seasonal bus service from the Newport Visitors Center for Fort Adams. Even in these times of challenging state budgets, it's an embarrassment for city like Newport that relies so heavily on tourism to lack a public transport option from its downtown to one of its most popular attractions.
That being said, the water taxi that I wound up taking from Perrotti Park to Fort Adams was quite nice.
This was my first visit to Fort Adams, and I was really impressed with it. I'll definitely be going back some weekend when it's not playing host to a music festival to check it out.
There was no shortage of booths selling handicrafts at the festival, but I didn't see any selling recordings. Jazz fans are notorious record collectors so I was surprised to see that there wasn't even a tent selling recordings of the featured musicians.
My favorite show other than the V5 was the Christian McBride trio, which kind of surprised me. It wasn't anything earth-shattering, just really good and straight-ahead jazz. I was looking forward to Vijay Iyer's show, but with the exception of their last number, I couldn't really get into any of their tunes.
NPR music was at the festival and has made many of the concerts available for download (not the V5's set, unfortunately)
The ProJo mentioned the V5's set in their review today:
The Vandermark 5, a group of young Chicagoans, started the process with a mix of wailing horns, cello and bowed acoustic bass, completing the demolition on their final song as the second-stage crowd roared. “Some people probably hated it,” said cellist Fred Lonberg-Holm, “and some people have told us it was their favorite thing of the festival so far.”
Ken's take on the V5's set, via twitter.
Here's a link to some pictures that I took of the V5 before their set.
Saturday, August 08, 2009
New Thing at Newport
Vandermark 5
Newport Jazz Festival - Fort Adams State Park - Newport, RI
Saturday, August 8th
I've never bothered making the trip down to Newport for its iconic jazz festival because, like most big jazz festivals, it tends to feature lowest common denominator acts that play the same old tunes year after year. Newport Jazz impresario George Wein decided to do something about that this year, as this article from the Boston Globe back explains. This year's line-up is fairly impressive, but the Vandermark 5 alone was worth the price of admission for me. Alas, I was not disappointed.
One of the great things about Vandermark is he never talks down to his audience. When I saw him play with School Days at SXSW in 2001, they played a couple of old Archie Shepp and Roswell Rudd songs and he dutifully announced the song titles and composers to the crowd despite the fact that most of them were there for the punk rock act that followed them and most certainly had never heard of Shepp or Rudd (or Vandermark, for that matter). The Vandermark 5, as far as I know, only plays original tunes, so there was no free jazz history lesson going on, but their song selection was in no way pandering to the audience in Newport.
Simply put, their set rocked - literally and figuratively. I don't think I've ever heard them play a set as hard-hitting as the one they played in Newport. The first number that they did started out on a rocking note with Fred Lonberg-Holm playing a great serpentine cello solo against the bass and drums before Vandermark and Rempis joined in on tenor and alto saxes, respectively. Vandermark played tenor for most of the set. He occasionally picked up the clarinet, but his bari was not on stage. His most impressive solo was during the most subdued number of the set, Early Color, but all of his solos were strong. The band sounded really tight. It probably helped that most of the songs were from their forthcoming album, but still, it's pretty amazing to watch a band playing music that is both highly improvised and very precise at a breakneck pace stick together as well as they did.
I was quite impressed with the crowd; at its peak, it was standing room only. Vandermark appeared to share my sentiments, as he spent most of his time between numbers thanking the crowd and George Wein himself, who was on hand for most of their set. The biggest crowd pleaser of the day was Cement, a cacophonous song that was let off by Tim Daisy and featured some devastating hooks in addition to a Vandermark-Rempis tenor sax tête-à-tête.
The few times I've seen Vandermark play in front of a so-called crossover audience, he's been incredibly well-received and this show was no exception. While it's never going to be considered mainstream, this is music that adventurous ears are ready for, even if they aren't particularly attuned to jazz. Hopefully, the Vandermark 5's first US jazz festival appearance won't be their last.
Newport Jazz Festival - Fort Adams State Park - Newport, RI
Saturday, August 8th
I've never bothered making the trip down to Newport for its iconic jazz festival because, like most big jazz festivals, it tends to feature lowest common denominator acts that play the same old tunes year after year. Newport Jazz impresario George Wein decided to do something about that this year, as this article from the Boston Globe back explains. This year's line-up is fairly impressive, but the Vandermark 5 alone was worth the price of admission for me. Alas, I was not disappointed.
One of the great things about Vandermark is he never talks down to his audience. When I saw him play with School Days at SXSW in 2001, they played a couple of old Archie Shepp and Roswell Rudd songs and he dutifully announced the song titles and composers to the crowd despite the fact that most of them were there for the punk rock act that followed them and most certainly had never heard of Shepp or Rudd (or Vandermark, for that matter). The Vandermark 5, as far as I know, only plays original tunes, so there was no free jazz history lesson going on, but their song selection was in no way pandering to the audience in Newport.
Simply put, their set rocked - literally and figuratively. I don't think I've ever heard them play a set as hard-hitting as the one they played in Newport. The first number that they did started out on a rocking note with Fred Lonberg-Holm playing a great serpentine cello solo against the bass and drums before Vandermark and Rempis joined in on tenor and alto saxes, respectively. Vandermark played tenor for most of the set. He occasionally picked up the clarinet, but his bari was not on stage. His most impressive solo was during the most subdued number of the set, Early Color, but all of his solos were strong. The band sounded really tight. It probably helped that most of the songs were from their forthcoming album, but still, it's pretty amazing to watch a band playing music that is both highly improvised and very precise at a breakneck pace stick together as well as they did.
I was quite impressed with the crowd; at its peak, it was standing room only. Vandermark appeared to share my sentiments, as he spent most of his time between numbers thanking the crowd and George Wein himself, who was on hand for most of their set. The biggest crowd pleaser of the day was Cement, a cacophonous song that was let off by Tim Daisy and featured some devastating hooks in addition to a Vandermark-Rempis tenor sax tête-à-tête.
The few times I've seen Vandermark play in front of a so-called crossover audience, he's been incredibly well-received and this show was no exception. While it's never going to be considered mainstream, this is music that adventurous ears are ready for, even if they aren't particularly attuned to jazz. Hopefully, the Vandermark 5's first US jazz festival appearance won't be their last.
Monday, March 17, 2008
Irish I Were Drunk
We enjoyed another St. Patrick's day in Newport this year. Pictured above is yours truly in full St. Patrick's day regalia holding a bottle of Newport Storm. We spent the day at the parade, party hopping, and playing da cau in the street. We then hit some of the finer eating and drinking establishments in town before collapsing around midnight. I was pleased to learn that one of the perhaps several drunken neologisms that our group coined on Saturday is a semi-legitimate word. Insinuendo, meaning to insinuate through innuendo, is obviously redundant, but it has a nice ring to it and it has been part of the English language since at least the 1870s, according to this.
Sunday, January 06, 2008
On Thin Ice
We went ice skating in Newport last night. It's been a couple years since I've last skated. It's good exercise and a fun time for a little while. After a half hour or so, skating around in circles get kind of boring. I think ice skating would be an ideal form of short-distance personal winter transportation, however. I'd definitely venture outside in the cold more often if I could glide to my destination. I believe that this was a fairly common practice in Amsterdam at some point in the past, but I'm not sure how common it is today. Perhaps I should go check it out.
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