Tuesday, January 26, 2010
Michael & Michael
We went out to Providence College on Friday night, which has become, at least in my mind, Providence's premier comedy venue, to catch Michael Ian Black and Michael Showalter. As you might expect, the show was a good mix of observational humor, meta-humor, and borderline anti-humor. They even went multimedia and played several clips of a recent interview they did with Fox 2 in Detroit. One of the clips is available online here. As they explained during the performance, they had been up all night prior to this interview and decided to have some fun with it. They also showed clips of them "helping" during the cooking demonstration segment and during the weather report, but I can't find them online.
Labels:
comedy,
detroit,
michael ian black,
michael showalter,
providence
Wednesday, January 20, 2010
The Pope Must Die(t)
Mehmet Ali Agca, the guy who shot Pope John Paul II 29 years ago, was just released from prison. This article talks about how he's entertaining book, television, and movie deals and how he would like to meet the current Pope. Because everything in life reminds me of the Simpsons, his request for an audience with the current Pope makes me think of the scene from the Brother from the Same Planet episode where Homer goes to the Bigger Brothers office to sign up for their program.
Administrator: And what are your reasons for wanting to meet the Pope?
Mehmet's brain: Don't say so I can shoot him! Don't say so I can shoot him!
Mehmet's mouth: Uh, so I can shoot him?
Mehmet's brain: That's it, I'm gettin' outta here. [footsteps, and a door slam]
Labels:
articles,
mehmet ali agca,
pope john paul II,
the simpsons
Monday, January 18, 2010
Charity Case
Donations have been pouring in from around in the world in response to the devastating earthquake that hit Haiti last week. Major disasters like this really expose the paradox of charitable giving. The main reason people give money in situations like this is out of a belief that their money will help the people affected by the disaster. As it turns out, this isn't always the case. Not all organizations have the expertise, personnel, or capacity to handle every kind of disaster. Some organizations don't try all that hard to use the money they receive to help victims of the disaster and some are outright frauds. Even legitimate organizations that have established operations on location may not be able to use all of the funds that they receive for disaster relief.
Some people look at all of these issues and conclude that charitable giving is a waste of time, another example of naive do-gooders paying no attention to the laws of unintended consequences. I have something of a love-hate relationship with charitable giving, but I think that these attitudes are counter productive. I think that do-gooders have a bad reputation. Sure, they sometimes cause more problems than they solve, but at least their hearts are in the right place. We should save most of our scorn for the people who are actively trying to make things worse.
This article has some good tips on making better charitable donations in the event of a major disaster. To sum it up in a single sentence, the best charitable gifts are the ones that are the least exciting to give. Giving may be an act of charity, but the giver also receives satisfaction of helping someone in need. It's more satisfying to think that your gift is being used to help save someone's life at this very moment in Haiti, but it doesn't help anyone if the charity that you gave to already has more money than they can spend in Haiti and can't redirect your funds to another area of the world because you earmarked it for the Haitian earthquake. So go ahead and donate money, but make sure you're giving it to reputable groups who can really use it and don't worry so much about the disaster of the day; there are plenty of people around the world in need of help, many in places you're probably never heard of. A good charity will make sure that your money goes to a place where it can make a difference, as long as you give them the opportunity to do so.
Some people look at all of these issues and conclude that charitable giving is a waste of time, another example of naive do-gooders paying no attention to the laws of unintended consequences. I have something of a love-hate relationship with charitable giving, but I think that these attitudes are counter productive. I think that do-gooders have a bad reputation. Sure, they sometimes cause more problems than they solve, but at least their hearts are in the right place. We should save most of our scorn for the people who are actively trying to make things worse.
This article has some good tips on making better charitable donations in the event of a major disaster. To sum it up in a single sentence, the best charitable gifts are the ones that are the least exciting to give. Giving may be an act of charity, but the giver also receives satisfaction of helping someone in need. It's more satisfying to think that your gift is being used to help save someone's life at this very moment in Haiti, but it doesn't help anyone if the charity that you gave to already has more money than they can spend in Haiti and can't redirect your funds to another area of the world because you earmarked it for the Haitian earthquake. So go ahead and donate money, but make sure you're giving it to reputable groups who can really use it and don't worry so much about the disaster of the day; there are plenty of people around the world in need of help, many in places you're probably never heard of. A good charity will make sure that your money goes to a place where it can make a difference, as long as you give them the opportunity to do so.
Thursday, January 14, 2010
(An Actual) Great Moment in Blog Commenting History
I read this article about a guy who gave up driving and riding in automobiles for a year. It's an interesting story, but perhaps even more amazing than his year-long car avoidance is the comments section. As of right now, there are 31 comments, and almost every one of is well-written and civil, including the commenters who disagree with the suject's lifestyle.
h/t: Felix Salmon
h/t: Felix Salmon
Tuesday, January 12, 2010
Boxing Day
Any guesses as to what this program prints when you run it? l = 0? l = 100? Something else?
As it turns out, this program fails with a NullPointerException. There are two version of the e() method, one that takes a primitive long and one that takes a generic Object reference. Since l is a Long instead of a primitive long, the compiler is able to resolve the overload without needing to do unbox l, so it resolves it to the e() method that takes a generic Object reference. The result of this method is then auto-unboxed when it is passed into f(), and since the Object reference version of e() returns null, it fails with a NullPointerException. The solution is pretty easy, just call l.longValue() to convert the value into a primitive long, or better yet, declare l as a primitive long instead of a Long in the first place.
While this example of auto-unboxing and overloading confusion may look contrived and frivolous I've run into this error a couple of times in real life using the EasyMock#eq() methods to set up mock object test case expectations.
Autoboxing and unboxing is a fairly controversial language feature in some circles. I think the benefits outweigh the drawbacks, but, as I've illustrated above, there are definitely some drawbacks. I like the Scala approach better, but there's no way to completely get rid of primitive types at the language level in Java, so autoboxing and unboxing is as good (or as bad, depending on your opinion) as it's going to get.
public class Foo {
static long e(long v) { return 0L; }
static <T> T e(T v) { return null; }
static void f(long l) {
System.out.println("l = " + l);
}
public static void main(String[] args) {
Long l = 100L;
f(e(l));
}
}As it turns out, this program fails with a NullPointerException. There are two version of the e() method, one that takes a primitive long and one that takes a generic Object reference. Since l is a Long instead of a primitive long, the compiler is able to resolve the overload without needing to do unbox l, so it resolves it to the e() method that takes a generic Object reference. The result of this method is then auto-unboxed when it is passed into f(), and since the Object reference version of e() returns null, it fails with a NullPointerException. The solution is pretty easy, just call l.longValue() to convert the value into a primitive long, or better yet, declare l as a primitive long instead of a Long in the first place.
While this example of auto-unboxing and overloading confusion may look contrived and frivolous I've run into this error a couple of times in real life using the EasyMock#eq() methods to set up mock object test case expectations.
Autoboxing and unboxing is a fairly controversial language feature in some circles. I think the benefits outweigh the drawbacks, but, as I've illustrated above, there are definitely some drawbacks. I like the Scala approach better, but there's no way to completely get rid of primitive types at the language level in Java, so autoboxing and unboxing is as good (or as bad, depending on your opinion) as it's going to get.
Labels:
autoboxing,
easymock,
java,
overloading,
programming
Thursday, January 07, 2010
This DJ
The AV Club recently ran a nice feature entitled Early experiences in pop-culture dorkiness, where the writers sounded off about their earliest known experiences of turning a critical and/or obsessive eye towards the pop-culture landscape. Many of these stories rang true for me, especially the ones about taping songs off of the radio and pretending to be a disc jockey. At the height of my personal imaginary media empire, I ran a radio station with its own call letters, sponsors (with commercials), and multiple on-air personalities (keep in mind that I almost always worked alone). My station was called NRP Shock Radio, a name that I stole from a Doonesbury comic strip. I believe the strip in question featured Mark taking a page out of the so-called shock jocks playbook and rebranding his program as "NPR Shock Radio". At the time, I had no idea what NPR or shock radio were, but I thought the name sounded cool. The NRP isn't a typo, I assume that I misread the comic.
Needless to say, when I first encountered ads for Quickshot's DJ Machine in the back of my comic books and Boy's Life, I knew I needed to have it. In case you've forgotten about the DJ Machine, or, more likely, you never knew what it was in the first place - here's a link you can check out (the only reference to it I could find online). I received this wonderful machine as a Christmas present in either 1988 or 89 and got plenty of use of it. I used the sound effects to create a jingle for NRP Shock Radio (lasers blasting in the background while I stuttered the 's' in shock). Like all good things, NRP Shock Radio eventually came to an end as I left it behind for other equally dorky pursuits. I'm pretty sure my parent's gave my DJ Machine away several years ago.
I finally got the chance to be a "real" DJ when I went to college. As luck would have it, my college radio shows probably had about as many listeners as NRP Shock Radio. My dorm had its own radio station, but it didn't broadcast. Instead, it sent its signal throughout the dorm over coaxial cable. This meant that anyone who wished to tune in from their room needed to forgo the free cable TV coming into their room and plug their stereo antenna into the cable hookup instead. Needless to say, it wasn't a popular choice. Fortunately, major record labels still thought we were a real radio station and sent us all kinds of promotional materials. Our studio was full of CDs and there was a closet full of old LPs across the hall. It was a really great resource. I was just starting to get into jazz and I probably listened to just about every one of the numerous old jazz records in the library.
I don't know if the radio station still exists, though I did come across a (broken) link to the web site that I built for the station (WLAY 90.1 FM - West Lafayette's Get Lucky Radio Station) on this online radio station directory.
Needless to say, when I first encountered ads for Quickshot's DJ Machine in the back of my comic books and Boy's Life, I knew I needed to have it. In case you've forgotten about the DJ Machine, or, more likely, you never knew what it was in the first place - here's a link you can check out (the only reference to it I could find online). I received this wonderful machine as a Christmas present in either 1988 or 89 and got plenty of use of it. I used the sound effects to create a jingle for NRP Shock Radio (lasers blasting in the background while I stuttered the 's' in shock). Like all good things, NRP Shock Radio eventually came to an end as I left it behind for other equally dorky pursuits. I'm pretty sure my parent's gave my DJ Machine away several years ago.
I finally got the chance to be a "real" DJ when I went to college. As luck would have it, my college radio shows probably had about as many listeners as NRP Shock Radio. My dorm had its own radio station, but it didn't broadcast. Instead, it sent its signal throughout the dorm over coaxial cable. This meant that anyone who wished to tune in from their room needed to forgo the free cable TV coming into their room and plug their stereo antenna into the cable hookup instead. Needless to say, it wasn't a popular choice. Fortunately, major record labels still thought we were a real radio station and sent us all kinds of promotional materials. Our studio was full of CDs and there was a closet full of old LPs across the hall. It was a really great resource. I was just starting to get into jazz and I probably listened to just about every one of the numerous old jazz records in the library.
I don't know if the radio station still exists, though I did come across a (broken) link to the web site that I built for the station (WLAY 90.1 FM - West Lafayette's Get Lucky Radio Station) on this online radio station directory.
Sunday, January 03, 2010
Nasty, Brutish, and Short
I recently finished reading George Saunders' The Brief and Frightening Reign of Phil. I actually read it twice, once over the span of a couple of weeks and again on a flight (it's only about 130 pages long, some of which are illustrations).
It's hard to not read the story as an allegorical critique of American foreign policy. The first time I read the story, that's about all I got out of it and I found it rather obvious and dull. The second time I read the story, I was able to put politics aside and get into the story on a more personal level. More of Saunders' trademark wit and absurdity came through when I spent more time focusing on the characters (a bizarre assortment of humanoid robots) than trying to match each one to an historical figure (the book's jacket does it no favors by proclaiming it "an Animal Farm for our times").
I was disappointed by the ending at first, but after reading it again, I found it incredibly poignant. In Persuasion Nation, a collection of short stories, is the only other work of Saunders that I've read. What impressed me most about that book was how he was able to make such witty, insightful, and devastating observations about humanity in a handful of paragraphs. The Brief and Frightening Reign of Phil, while short, is not a short story, but the ending really demonstrates Saunders' ability to cover a lot of ground in a few pages though his efficient but memorable use of prose.
It's hard to not read the story as an allegorical critique of American foreign policy. The first time I read the story, that's about all I got out of it and I found it rather obvious and dull. The second time I read the story, I was able to put politics aside and get into the story on a more personal level. More of Saunders' trademark wit and absurdity came through when I spent more time focusing on the characters (a bizarre assortment of humanoid robots) than trying to match each one to an historical figure (the book's jacket does it no favors by proclaiming it "an Animal Farm for our times").
I was disappointed by the ending at first, but after reading it again, I found it incredibly poignant. In Persuasion Nation, a collection of short stories, is the only other work of Saunders that I've read. What impressed me most about that book was how he was able to make such witty, insightful, and devastating observations about humanity in a handful of paragraphs. The Brief and Frightening Reign of Phil, while short, is not a short story, but the ending really demonstrates Saunders' ability to cover a lot of ground in a few pages though his efficient but memorable use of prose.
Thursday, December 31, 2009
Up With People
I always manage to catch a movie or two over the holidays, and this year was no exception. Avatar and Up were this year's selections. I was pleasantly surprised by Avatar and very pleased that Up surpassed my already high expectations.
Avatar didn't blow me away, but it surpassed my admittedly meager expectations. Even though I don't get too excited about CGI effects, seeing it in 3D definitely made the experience more immersive and enjoyable. Avatar may have been the first movie I've ever seen in 3D. It's probable that I saw at least one 3D movie as a kid, but I can't think of any off of the top of my head. The story in Avatar isn't much to write home about, though it's not completely by-the-numbers. I was surprised to see how unsympathetically the paramilitary organization protecting the mining interests of the humans on Pandora was portrayed, given that they were a very thinly veiled stand-in for the American armed forces. This recent AV Club posting goes into more detail about the politics of the film. There's not much nuance, but it's a less conventional than I would have expected.
While I'm on the topic, did anyone else who saw Avatar find Sam Worthington's accent horrible? I'd never heard of the guy before seeing the movie, but an IMDB lookup confirms that he's from England and started his acting career in Australia. His Anglo and/or Aussie roots were very apparent, at least to me, during several of his dialogue sequences. You'd think for $250 million they could have gotten a decent accent coach for him so his character could have a believable middle American accent to go along with his working-class vocabulary.
Up is one of the most enjoyable movies I've seen in a while. I also liked Pixar's last outing, Wall-E, but I thought Up was even better. While Up is animated, it is not a kid's movie, but I'm sure that I would have loved it as a kid. I really enjoyed the period details and Carl, the main character, reminded me of my grandfather a little bit, but it's still a really good movie even if neither of those things hold true for you.
Avatar didn't blow me away, but it surpassed my admittedly meager expectations. Even though I don't get too excited about CGI effects, seeing it in 3D definitely made the experience more immersive and enjoyable. Avatar may have been the first movie I've ever seen in 3D. It's probable that I saw at least one 3D movie as a kid, but I can't think of any off of the top of my head. The story in Avatar isn't much to write home about, though it's not completely by-the-numbers. I was surprised to see how unsympathetically the paramilitary organization protecting the mining interests of the humans on Pandora was portrayed, given that they were a very thinly veiled stand-in for the American armed forces. This recent AV Club posting goes into more detail about the politics of the film. There's not much nuance, but it's a less conventional than I would have expected.
While I'm on the topic, did anyone else who saw Avatar find Sam Worthington's accent horrible? I'd never heard of the guy before seeing the movie, but an IMDB lookup confirms that he's from England and started his acting career in Australia. His Anglo and/or Aussie roots were very apparent, at least to me, during several of his dialogue sequences. You'd think for $250 million they could have gotten a decent accent coach for him so his character could have a believable middle American accent to go along with his working-class vocabulary.
Up is one of the most enjoyable movies I've seen in a while. I also liked Pixar's last outing, Wall-E, but I thought Up was even better. While Up is animated, it is not a kid's movie, but I'm sure that I would have loved it as a kid. I really enjoyed the period details and Carl, the main character, reminded me of my grandfather a little bit, but it's still a really good movie even if neither of those things hold true for you.
Monday, December 14, 2009
Dakar
We tried Dakar, a new Senegalese restaurant in Central Falls last Friday before going to see The SantaLand Diaries at the Gamm Theater. There aren't a lot of dining choices near the Gamm, so Dakar is a nice addition to the area. We had the place to ourselves once the couple that was dining when we arrived left, which is never a good sign for a restaurant on Friday night (or any other night), but the food and the service was good. Our waiter (who was also the host, bus boy, and possibly, the chef) greeted us by asking if we had ever been the Senegal. It was nice that he didn't assume we had never visited his home country (though we haven't), even though it's a place that most Americans have never even heard of.
As for the food, I really liked the ginger juice. It was very strong, but I love ginger and ginger-based drinks especially. I also enjoyed the Naem appetizer that we tried. They are Senegalese-style egg rolls and according to our waiter, they were brought back to Senegal by soldiers who fought for their colonial power (France) in Vietnam. Regardless of how you feel about colonialism, we can all agree that is has given us some great fusion cuisine. I had the Lamb Yassa for dinner. The lamb was a bit on the dry side, but the dish still had a lot of flavor.
I haven't eaten much African cuisine, but my meal at Dakar was one of my favorites. Hopefully the next time we eat there, we won't be the only patrons.
As for the food, I really liked the ginger juice. It was very strong, but I love ginger and ginger-based drinks especially. I also enjoyed the Naem appetizer that we tried. They are Senegalese-style egg rolls and according to our waiter, they were brought back to Senegal by soldiers who fought for their colonial power (France) in Vietnam. Regardless of how you feel about colonialism, we can all agree that is has given us some great fusion cuisine. I had the Lamb Yassa for dinner. The lamb was a bit on the dry side, but the dish still had a lot of flavor.
I haven't eaten much African cuisine, but my meal at Dakar was one of my favorites. Hopefully the next time we eat there, we won't be the only patrons.
Labels:
africa,
dakar,
food,
restaurant,
rhode island
Sunday, December 13, 2009
Bonus
I liked today's Dilbert. It reminded me of this story NPR did a few months ago.
The story looked into how people in various occupations are compensated and contrasted it with the huge bonus culture on Wall St. that has been all over the news for the past year. Most jobs don't pay out large performance-based bonuses because it would be counter-productive. I'd argue that it's also been quite counter-productive on Wall St., but that's another story. Since most people think that they are above average (I know I am), close to half the of the office would be pretty disappointed if a large percentage of their compensation was tied to individual performance. The other big problem, which this cartoon illustrates perfectly, is that if individual performance is the only thing that is considered when paying bonuses, interoffice cooperation is seriously devalued and employees start behaving like freelancers at best and competitors at worst.
The story looked into how people in various occupations are compensated and contrasted it with the huge bonus culture on Wall St. that has been all over the news for the past year. Most jobs don't pay out large performance-based bonuses because it would be counter-productive. I'd argue that it's also been quite counter-productive on Wall St., but that's another story. Since most people think that they are above average (I know I am), close to half the of the office would be pretty disappointed if a large percentage of their compensation was tied to individual performance. The other big problem, which this cartoon illustrates perfectly, is that if individual performance is the only thing that is considered when paying bonuses, interoffice cooperation is seriously devalued and employees start behaving like freelancers at best and competitors at worst.
Wednesday, December 09, 2009
Madness
This ad has been up for for several months now, but it raises an important question - is Mad Men no longer cool now that's it's being referenced in a Cardi's Furniture advertisement?
Labels:
advertising,
cardi's furniture,
mad men,
rhode island
Thursday, December 03, 2009
Fox News
We saw Fantastic Mr. Fox last weekend. Ever since watching it, I've been trying to decide if I actually like Wes Anderson movies. I've seen most of them (though this was my first since The Life Aquatic) and enjoyed all of them to a certain degree. It has become somewhat fashionable to dislike Wes Anderson's work as of late, just as it used to be fashionable to enjoy it, but I don't think I'm getting caught up in the backlash. Mr. Fox wasn't a bad movie, I just never really got into the story. Part of the problem was I felt that George Clooney (who provided the voice for the titular character) turned Mr. Fox into an animated vulpine charactiture of his stock character. I'm going through something of a George Clooney backlash right now because I feel like he always plays the same character. Perhaps I should study a foreign language so I can watch a dubbed version of Mr. Fox to see if I enjoy it more with someone other than George Clooney voicing the main character.
Labels:
fantastic mr. fox,
george clooney,
movies,
wes anderson
Monday, November 09, 2009
The Not-So-Great Wall
Like many a student before me, I assume, one of my social studies assignments in September of 1989 was to take a map of Europe and color all of the Soviet bloc countries in red. Unlike my predecessors, by the time the school year was over, the map that I colored at the beginning of the term was mostly obsolete. By the time the Berlin Wall fell in November, I knew enough to understand why it was important, but the whirlwind nature of my cold war education left a lot of gaps in my knowledge. When your social studies class happens to be in sync with the most important news story in a generation (if not more), it makes the material more engaging, but being a witness to history can give you a false sense of understanding. It wasn't until I visited Berlin several years later that I started to understand the events leading up to that night 20 years ago. Former Newsweek correspondent Michael Meyer has a new book called The Year that Changed the World: The Untold Story Behind the Fall of the Berlin Wall. I haven't read the book, but I heard him discuss it on On Point a few weeks ago and it brought back a lot of memories from both my social studies class and my trip to Berlin.
Thursday, November 05, 2009
Eureka
The AV Club featured a good interview with Jim O'Rourke yesterday. I've been aware of O'Rourke for a long time, but I never really gave any of his work a good listen until I picked up a copy of Eureka earlier this year (at Jive Time Records, a store that's joined Jazz Record Mart and Downtown Music Gallery as the record store that I visit whenever I'm in Seattle, Chicago, or New York, respectively) and I've really been enjoying it. Even though O'Rourke says in this interview that Eureka is "the one record I can’t fucking stand", I still think it's worth a listen or 20.
Wednesday, November 04, 2009
Where Men Win Glory
I received a copy of Where Men Win Glory, Jon Krakauer's latest book, and I read the whole thing in a single day while traveling back home from the southwest. The book chronicles the life and death of Pat Tillman, the iconoclastic professional football player who enlisted in the Army shortly after 9/11 and whose death by friendly fire in 2004 was shamefully covered up by the military. The book isn't just about Tillman, it's also one of the best analyses of America's involvement in Afghanistan and Iraq that I've ever read. I never paid as much attention to the wars in Afghanistan and Iraq as I should have, largely because I became so disillusioned by the Bush administration's mismanagement of them. Of course, the Bush administration is gone and the wars aren't over, so I don't have any excuses now. It's only been a week or so, but I have been paying much closer attention to the news from Iraq and Afghanistan than I was before reading this book. I'm not sure if Krakauer could have covered the wars in real-time as well as he did in this book, but more insightful press coverage certainly would have been nice in the earlier days of the wars.
There wasn't a lot of new information about Tillman in this book, but it did include excerpts from various journals that he kept during most of his adult life. The book focuses on Tillman's dual natures, how he was both an extroverted elite athlete turned soldier as well as an introspective intellectual war critic. When I first learned about Tillman after his death, he immediately struck me as someone who would have been vilified by many of the people who were holding him up as a war hero had they actually known him due to his unconventional and outspoken nature. After reading the book, I get the feeling that hating Pat Tillman would be nearly impossible for all but the most myopic partisans.
There wasn't a lot of new information about Tillman in this book, but it did include excerpts from various journals that he kept during most of his adult life. The book focuses on Tillman's dual natures, how he was both an extroverted elite athlete turned soldier as well as an introspective intellectual war critic. When I first learned about Tillman after his death, he immediately struck me as someone who would have been vilified by many of the people who were holding him up as a war hero had they actually known him due to his unconventional and outspoken nature. After reading the book, I get the feeling that hating Pat Tillman would be nearly impossible for all but the most myopic partisans.
Labels:
books,
jon krakauer,
pat tillman,
where men win glory
Monday, October 19, 2009
Thursday, October 15, 2009
¡hispanic!
I snapped this picture at my local Shaw's supermarket. They put these helpful exclamatory signs on each door in the freezer section. It's kind of fun to walk down the aisles reading the signs with the proper emphasis (breakfast! ice cream! kosher!), but I think they should have gone all out and included an inverted exclamation point on the hispanic foods sign.
Wednesday, October 14, 2009
Commuted Sentence
The bicycle commuting season has more or less drawn to a close. The morning temperature has dropped below my minimum riding threshold of 40 degrees. Even if we get a warm spell or I get some warmer gear, there's really not enough daylight left at the end of the day to ride home safely. Back in April, I stated that I wanted to replace the equivalent of 1000 driving miles with biking. I knew that goal was aggressive, but as the season unfolded, I realized that it was impossible. I still managed to have a successful biking season. I crossed the 1000 mile threshold and completed a century ride for the first time in a decade. Over the roughly six months I spent bicycle commuting, I completed 44 round trips and commuted a total of 735 miles, which was roughly equivalent to 600 miles of driving.
Thursday, September 24, 2009
Exercise in Futility
I've had stock options at four of the companies I've worked for, but I've never made any money off of them... until now. Stock options are supposed to be a great tool for aligning employee interests with the bottom line, but in reality, they're more like a lottery ticket. In my case, they were more like a scratch and win lottery ticket, because I'll be lucky if my gain after taxes is $200. I'm not complaining since these options were set to expire in a couple of weeks and they had been underwater since May.
This experience was reinforced my belief that I don't have the stomach for active stock market investing. I like to make informed decisions, but even if I studied the markets all day and knew how to decipher a balance sheet, over a two-week time span, any individual stock can tank or go though the roof for reasons that no one could have anticipated. I finally decided to just pick a price that looked reasonable but was still high enough that it made me feel like I was still making some money and submitted a limit order. It executed yesterday afternoon near the intraday high and after today's 2.3% drop, the stock is now trading just barely above my strike price, so as it stands, I'm looking like something of a Wall Street genius right now. Unlike a compulsive gambler, instead of feeling a rush from all of this, I'm just glad that it's over and that I have a little bit of extra cash in my pocket.
This experience was reinforced my belief that I don't have the stomach for active stock market investing. I like to make informed decisions, but even if I studied the markets all day and knew how to decipher a balance sheet, over a two-week time span, any individual stock can tank or go though the roof for reasons that no one could have anticipated. I finally decided to just pick a price that looked reasonable but was still high enough that it made me feel like I was still making some money and submitted a limit order. It executed yesterday afternoon near the intraday high and after today's 2.3% drop, the stock is now trading just barely above my strike price, so as it stands, I'm looking like something of a Wall Street genius right now. Unlike a compulsive gambler, instead of feeling a rush from all of this, I'm just glad that it's over and that I have a little bit of extra cash in my pocket.
Tuesday, September 22, 2009
Broken Dreams
A few months back, I raved about a newish band on the scene called Alberta Cross. I just finished listening to Broken Side of Time, their first full-length album, on lala and my enthusiasm has waned considerably. The album is thoroughly overproduced, robbing them of the hard-edged blues rock sound that drew me in to their music. Another downside of all that studio polish is that I never found their song lyrics very good, but it was pretty hard to decipher a lot of them on their debut EP. No such luck on Broken Side of Time. I still really enjoy their debut EP and I suspect that they might put on a pretty good live show.
Labels:
alberta cross,
broken side of time,
music,
review
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